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cover of Aftermath episode 1- Truth Discussion
Aftermath episode 1- Truth Discussion

Aftermath episode 1- Truth Discussion

00:00-15:32

Our hosts discuss the implications and symbolism of Truth short story and how it holds a mirror to our current state of society.

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Transcription

Welcome, lost traveler, to another tale from beyond the event. Welcome to the Deep Dive. Today we're going to be exploring something a little different. We're going to be taking a look at a fictional narrative. It takes us through a very unusual day in elementary school. Interesting. Now, this isn't like our typical news story or research paper or something like that. This is a story. Okay. What we're going to be doing today is analyzing it, seeing what makes it tick, seeing how it uses these familiar elements to create something really unsettling. I like it. What strikes me right away about this story is how it starts with this very grounded feel, almost mundane, really. We meet Miss Templeton. She's a teacher, and she's dealing with these anxieties that I think a lot of us can relate to about her job, about her finances, even her dream vacation. It's so cleverly done because it really makes the later events, shall we say, hit that much harder. But the author's lulling us into this false sense of security. Right. Exactly. Then on top of that, there's the subtle foreshadowing. Oh, yeah. I mean, even Miss Templeton mentions that she's needing luck that day. Right. Then there's young Susie. Yeah. She's described as an old soul. Those details are so crucial. They plant these little seeds of unease. Totally. They really make us wonder, what exactly is going on with Susie? Let's talk about Susie. Okay. She's clearly at the heart of everything. For sure. But at the same time, she's such an enigma. What clues do we get about her early on in the story? Well, there's several layers to unpack here, I think. One thing is her dialogue. Right. It's often strange. Yeah. Almost otherworldly. That's true. Then there's these mysterious shadows that always seem to cling to her. Yeah. And then there's the- And of course. That's what I got. And then there's the fact that her classmates start disappearing after they have disagreements with her. Right. That's what really grabbed my attention. Mm-hmm. The story never explicitly says what happens to those missing children. Right. It just hints at them being gone. Yeah. And it's so effective. Totally. It creates this atmosphere of dread and uncertainty. Yes. It's very well done. The ambiguity is intentional. Yeah. And it forces us to question, is Susie intentionally causing these disappearances? Please. Is there something else at play here, something beyond her control? Right. Is she a victim? Is she a villain? Yeah. Is she something in between? Mm-hmm. The story keeps us guessing. It does. And that's part of what makes it so unsettling. This story definitely keeps you on the edge of your seat. Oh, yeah. And the tension, it just keeps escalating. It does. With each new encounter. For sure. We start with the missing classmates. Yeah. And then Susie vanishes. Mm-hmm. The principal gets involved. Mm-hmm. Then even the police officers. That's such a fascinating point you bring up. Yeah. It really subverts our expectations of authority figures. Right. Normally, they'd represent order control. Uh-huh. But here, they become victims themselves. Yeah. And it just adds another layer of fear. It does. And helplessness. Yeah. To the narrative. Like, the usual rules of reality don't apply in Susie's world. Right. The author's use of sensory details is masterful. It is. Like, the descriptions of sound. Yeah. The unsettling. The unsettling red substance. Oh, yeah. Yeah. It's all very vivid. It's very visceral. Yeah. Those sensory details are crucial because they really ground the story. Yes. In a reality we recognize. Right. Even as the events become increasingly surreal, it's not just telling. It's showing. Right. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. It's showing. 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