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History, hermeneutics and semiotics of the cartoon One Froggy Evening

History, hermeneutics and semiotics of the cartoon One Froggy Evening

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Cryptic Inhumancy y Aurora Isabel hablan sobre la historia y el significado de la caricatura Un Ocaso Batracio de 1955.

PodcastMichigan J FrogOne Froggy EveningOnce Upon A TimeMy Client CurleyLucille Fletcher

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One Froggy Evening is a Warner Bros. cartoon about a construction worker who finds a frog that can sing and dance, but only he can see it. The cartoon has hidden layers and references to literature, Greek mythology, and real-life events. It explores themes of ambition, fame, and perspective. The sequel, Another Froggy Evening, expands on the original story and adds new elements. Michigan J. Frog, the main character, represents change and the desire to be seen and understood. The cartoon is still popular because it combines humor with deeper meanings. It reminds us that even small things can have a big impact and that art can change how we see the world. It also plays with the concept of time and history, making us reflect on our own lives and the importance of being true to ourselves. All right, get ready, because today we're diving deep into something a little different. It's One Froggy Evening, that Warner Bros. cartoon. That's a good one. Yeah, with Michigan J. Frog, you know him, right? The little guy who drives that construction worker crazy with his... Oh, I know exactly what you're talking about. He can sing and dance, but only the construction worker can see it. It's amazing how much is packed into that cartoon. I mean, it looks simple, but we're gonna find out. It's got literature, real life stuff, even a bit of Greek mythology in there. I love how animation can be like that. It's for everyone. Totally. So, okay, picture this. You're a construction worker, you find this old box, and bam, there's a frog inside. But not just any frog. Right. This one sings and dances like he's on Broadway or something. But here's the thing, right? No one else sees it, just the construction worker. It's like those classic cartoon things, you know? Like Sylvester and Hippity Hopper or Perry the Platypus, Infinius and Ferb. Yeah, I see what you mean. It's like their secret little world. Exactly. And it makes you wanna yell at the screen. Can't you see he's amazing? But speaking of frustrating, the ending, right? That construction worker wants to get rich off the frog. Oh yeah, the dollar sign's in his eyes. He tries everything. But it always backfires. Every single time. It's almost sad, but also kind of funny. It's like the universe is playing a joke on him. And that actually ties into Greek mythology, believe it or not. Wait, really? How so? Remember Sisyphus? The guy who had to push that boulder up a hill forever? Oh, right, right. It never ends for that guy. Well, that construction worker, he's kind of like Sisyphus. Always trying, never getting anywhere. Whoa, I never thought of it like that. Makes you think, doesn't it? Like, what's the cartoon really about? Yeah, is it about ambition? Or maybe saying that fame and fortune are just empty? It's cheap stuff for a cartoon that seems so light on the surface. Exactly, it's got those hidden layers, like one of those optical illusions, you know? I get it. First, you see one thing, but then. There's a whole other picture there. Exactly. And speaking of hidden stuff, did you know One Froggy Evening is actually inspired by some pretty old stuff? Literature, and even a real life event. Oh, come on, really? That's crazy. Yeah, we gotta go back to 1818 for this one. Rip Van Winkle, remember that story? Yeah, the guy who sleeps for like 100 years or something. Well, 20, but yeah, he wakes up and everything's different. Right, right. So how does that connect to Our Frog? Well, it's about this idea of something being lost to time and then coming back. Now, fast forward to 1928 in Texas. They opened a time capsule from 1897, and guess what was inside? Oh, I have no idea. A letter, some old coins. A horned toad. A what? A horned toad, it was alive even. They called him old Rip the Horned Toad because, you know, Rip Van Winkle. Yeah. People loved it. This creature from the past just showing up again. Wow, okay, I see the connection. Something lost, then found. But we're still on a toad, not a frog. We're getting there. So an author, Violet Lucille Fletcher, she heard this story and wrote her own version. And then that inspired a radio play in 1940 called My Client Curly by Norman Corwin. So now we've got literature, a news story, a radio play. This is getting more and more interesting. And this play, it gets us closer to our frog. It's about this guy who finds a dancing caterpillar. What? A dancing caterpillar? Okay, that's a new one. But see, it's still got that hidden talent idea like one froggy evening. Yeah, you're right. It's like finding something amazing that could change your life. And this play was huge-y-y. They even made it into a movie in 1944, Once Upon a Time with Cary Grant. No way, Cary Grant. So this whole dancing creature thing, it was like all over the place back then. Totally. And by the time One Froggy Evening comes out in 55, audiences would have known all these other stories. So the cartoon was building on that. Like a shared history. Exactly. It's amazing how much is behind this one little cartoon. Right, it shows you nothing is really new. Everything comes from somewhere. And that's what makes One Froggy Evening so cool. It's all these things mixed together. And it's still going strong. It makes you wanna watch it again with fresh eyes. You should. But before you do, there's one more thing we gotta talk about. The sequel, Another Froggy Evening. Oh yeah, the one where Michigan J. Frog is like throughout history. Exactly. Yeah. And in this one, Chuck Jones, the original director, he does something really interesting. He doesn't retell the first story. He jumps right into new stuff like he knows we already get it. It's like he's winking at us saying, we all know this frog, right? Let's have some fun. Exactly. And here's the big thing. In the sequel, Michigan J. Frog is, well, immortal. He did Stonehenge, Ancient Rome, the American Revolution, you name it. It's hilarious to think about. Like he's seen it all. And the ending of the sequel, it's wild. Michigan J. Frog ends up with the last man on earth who's about to eat him. Oh no. But then, guess this, Marvin the Martian shows up. No way, what a twist. And the best part, Michigan J. Frog can understand Marvin and they start singing and dancing together. Okay, that's genius. Chuck Jones, he knew how to make things funny. He took the original idea and made it even crazier. It shows you, even when things are bad, there's always room for joy. And a little absurdity never hurts. But you know what? This is just the beginning of our One Froggy Evening deep dive. We've got so much more to cover. It's really interesting how both the original and the sequel, they make you think about, well, perspective. Because only some people see what Michigan J. Frog can do. It's like we all see things differently, right? What's amazing to one person could be invisible to someone else. Makes you wonder what we're all missing out on. Yeah, like what if we're just not looking the right way? It's why art is so cool, it makes you question things. And speaking of questioning things, let's talk about Michigan J. Frog himself. Why a frog, you know? Well, frogs, they've always been about change going way back. Think about how they, you know. Turn from tadpoles. Yeah, metamorphosis. That ties into One Froggy Evening perfectly, right? It does. The construction worker's life is totally changed by this frog. And the frog, he's like a symbol of something new and exciting. And there's that saying, right? Frog in a well. Like he can't see beyond your little world. Oh yeah, yeah. So is Michigan J. Frog stuck in his own well, so to speak? Can he only be himself with the construction worker? Well, that's deep. And he never actually talks, does he? Nope, just sings and dances. Makes you think about what he's really trying to say. Like he can't use words, so we have to figure him out. Maybe he's like the part of us that wants to be seen, but can't always speak up. I like that. And remember, this cartoon came out when America was changing a lot. After the war, everyone wanted to fit in. So maybe back then, people saw Michigan J. Frog and thought, he's different, but he's okay with it. Could be, adds another layer to the whole thing. It's amazing, right? How this cartoon is still so popular, even after all these years. Well, it's funny, for one. Pure slapstick. And his facial expressions are priceless. But there's more to it, right? Like we talked about perspective change, wanting to be understood. That's stuff everyone relates to. And don't forget that ending. The construction worker ends up back where he started, putting the frog back in the box. It's funny, but also kind of makes you think, some things we can't change. And it sets up the sequel, too. Michigan J. Frog just keeps going. It's like a reminder that some things stay the same, even when everything else is changing. But what I love about the sequel is, it's like, we know the story, so it just goes crazy with it. Yeah, totally, pure fun. Michigan J. Frog dancing with cavemen, gladiators, visual comedy gold. Chuck Jones, he was a genius. He knew how to make people laugh. Remember that part where he's performing for the Roman emperor and the emperor's just bored? Oh, yeah. It's like a joke about fame, like one minute you're in, the next you're out. And even someone super talented can be ignored. So much meaning packed into these little jokes. That's what makes it good art. It makes you realize, one froggy evening, it's more than just a cartoon. It's about our hopes, fears, and all the stuff we don't know. So what does this all tell us about one froggy evening and its place in pop culture? It shows that even small things can have a big impact. One froggy evening, it's funny, but it also makes you think. It can be both. It reminds us that stories, music, even a dancing frog, they can change how we see things. And speaking of seeing things differently, there's one more thing we need to look at. How one froggy evening plays with our idea of time and history. It really makes you think, you know? Michigan J. Frog, he's immortal popping up in all these different times. Right, it's like he's watching history happen, all those empires rising and falling, and he's just there. It makes you kind of wish you could time travel, you know, see it all firsthand. I know what you mean. But it also makes you realize how short our own lives are. We're just like blips compared to him. But even though he's immortal, it's like he's still stuck, waiting for someone to let him out of that box. That's a good point. Maybe it's saying that real freedom isn't just about being physically free. Maybe it's about being able to be yourself no matter what. Like Michigan J. Frog, he just keeps singing and dancing no matter what's going on around him. He's a true artist. And that brings us to something important. How art can go beyond, like, boundaries. Michigan J. Frog, he doesn't speak, but everyone gets it, it's a universal language. Even Marvin the Martian, it shows you art can connect us even when things are crazy. That's a great way to put it. And that's why One Froggy Evening is so powerful. So as we wrap up our deep dive, what's the one thing you really hope people take away from all this? I hope people realize that even simple things can be really meaningful. One Froggy Evening, it's funny, but it's also got so much depth to it. It could be both. It reminds us to not ignore the little things. A good story, a song, even a dancing frog, they can change how we see the world. Exactly. And who knows, maybe this deep dive will make people look closer at their own lives, you know? Find those hidden connections and surprises that are all around us. Just like One Froggy Evening, you never know what amazing things are hiding, just waiting to be discovered. So keep exploring, and we'll see you next time for another deep dive.

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