The Tim Kelly Show 06 13 2024

My daddy's old man worked in a cotton mill My momma's daddy was a farmer, he worked in a peanut field Well I was born a son of a southern sun, my roots run deep I'm proud to be Dixie, no offense to nature's name I grew up in a small town down south Alabama you see About half way between Montgomery and Panama Well I learned to hunt and I learned to fish, my daddy taught me both Jesus loves me, yes I know, cause momma told me so I'm bloodshot sure in my head I drive a truck, I can work the land And I'll reach hell on Saturday night I drive a tractor, I watch it pull, I can saddle a horse or ride a bull We got creek banks and southern pines, red clay and shine We get up in the morning, most days by the crack of dawn We hug our kids and kiss our wives, put our boots and our blue jeans on We love our troops cause we know the truth, they fight for you and me We don't know much but we know enough, ain't nothin' in a rivalry I'm bloodshot sure in my head I drive a truck, I can work the land And I'll reach hell on Saturday night I drive a tractor, I watch it pull, I can saddle a horse or ride a bull We got creek banks and southern pines, red clay and shine Put a shotgun in my head I drive a truck, I can work the land And I'll reach hell on Saturday night I drive a tractor, I watch it pull, I can saddle a horse or ride a bull We got creek banks and southern pines, red clay and shine Ladies and gentlemen, it's time. The show starts in 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, 0 Are you ready? It's show time. Please welcome... Tim Kelly Don't cry for the wolves, don't struggle in quicksand Don't seek the devil or take him by the hand Don't look for trouble, cause all you'll find is pain And don't call down the thunder If you don't like the rain Well, I remember back when I was young My daddy told me I always treated like a loaded gun Well, he would say, while we were men in pain He said, every move you make, there's always consequences Don't cry for the wolves, don't struggle in quicksand Don't seek the devil or take him by the hand Don't look for trouble, cause all you'll find is pain And don't call down the thunder If you don't like the rain There's what you want, there's wrong and right But all that counts is how you live your life I play with dogs, you think I'd learn I play with fire and I can't burn I play with fire and I can't burn Don't cry for the wolves, don't struggle in quicksand Don't seek the devil or take him by the hand Don't look for trouble, cause all you'll find is pain And don't call down the thunder If you don't like the rain Don't cry for the wolves, don't struggle in quicksand Don't seek the devil or take him by the hand Don't look for trouble, cause all you'll find is pain And don't call down the thunder Also on our YouTube channel, go over to KICR, Indy Country Radio on YouTube And you should be able to see my face for radio, I'm seeing it, so I hope you can see it too We want to give a big thank you and shout out to all of the other radio stations that replay this program We have great stations like KUHS Denver at KUHSDenver.com Country Road 58 from Germany CountryRadio.MusicBox4Friends.com from Belgium DevilsCountryRadio.com RadioTheKing.be, also Belgium DownTheRoadRadio.com from Ireland Bourbon Trail Radio Top Shelf Radio Texas LakeParadiseRecords.net You can also find the Tim Kelly Show on CanyonStar.tv We are also, like I mentioned, on our YouTube channel at KICR, Indy Country Radio We are also on iHeartRadio, Spotify, Amazon Music And you can check us out on Pandora and Apple Podcasts as well All of those links are on the homepage of KICR, IndyCountryRadio.com The third one in the Triple Play for the Great Group 5 runs is called Couldn't Get It On the Tim Kelly Show from KICR, Indy Country Radio New Country's Best on Triple Play Thursday New Country's Best on Triple Play Thursday Wishin' every minute it was tomorrow We couldn't get it We couldn't understand Time is flyin' and we can't slow it down The sands will fall And it'll all be gone We couldn't get it I want to cross that stage scene like yesterday Playin' football on Friday night and goin' on a Thursday Now the kids are grown, it went by too fast We shoulda listened to what the old me said We couldn't get it We couldn't understand Time is flyin' and we can't slow it down The sands will fall And it'll all be gone We couldn't get it Don't close your eyes, don't wish your life away One day you're here and the next you're in the grave We couldn't get it We couldn't understand Time is flyin' and we can't slow it down The sands will fall And it'll all be gone We couldn't get it We couldn't get it But we were havin' so much fun, it didn't matter It's time for today's newest country music Indie Country Radio with Tim Kelly I didn't really know big city pretty girls Oh yeah Oh yeah Daddy was a mustang, but I knew how to break I thought his love was a sure thing, even when I was eight He walked around like a man, wasn't suited for a mama to cry You don't care if first time you meet him, he was kinda guy Mama didn't really know big city pretty girls Hands on her wrist, make a fire in a country world Turn on my feet, carry stuff over my head It's like a mountain bird, can't follow me, never seen In a snake skin, he's the thunder, he's already awaken Give me thunder when it's going back down again Oh, if he waits there for a few seconds, it's all that you get Try to ride with me, with his rodeo queen You're gonna get your turn when it is, I'm carrying your last name He got cars, all the cars, but I make the rules to stay Mama didn't really know big city pretty girls Hands on her wrist, make a fire in a country world Turn on my feet, carry stuff over my head It's like a mountain bird, can't follow me, never seen In a snake skin, he's the thunder, he's already awaken Give me thunder when it's going back down again Oh, if he waits there for a few seconds, it's all that you get Try to ride with me, with his rodeo queen Mama didn't really know big city pretty girls Mama didn't really know big city pretty girls Mama didn't really know big city pretty girls Hands on her wrist, make a fire in a country world Turn on my feet, carry stuff over my head It's like a mountain bird, can't follow me, never seen In a snake skin, he's the thunder, he's already awaken Give me thunder when it's going back down again Oh, if he waits there for a few seconds, it's all that you get Try to ride with me, with his rodeo queen Oh, if he waits there for a few seconds, it's all that you get Try to ride with me, with his rodeo queen Oh, if he waits there for a few seconds, it's all that you get Try to ride with me, with his rodeo queen Oh, if he waits there for a few seconds, it's all that you get Try to ride with me, with his rodeo queen Oh, if he waits there for a few seconds, it's all that you get Sitting on the kitchen floor, I hear you through the bedroom door Talking me down to your mother But why do I bust this out? I don't know what you got you down Am I just another slutter? I'm confused, what do you want from me? If you're so big, if you're all that we've been through What do you want from me? What do you want from me? What do you want from me? I'm confused We say that goodbye is more time we're wasting If tonight isn't mine, it's goodbye What would they think? I'm confused, what do you want from me? If you're so big, if you're all that we've been through What do you want from me? What do you want from me? What do you want from me? I'm confused Sitting on the kitchen floor, I hear you through the bedroom door Talking me down to your mother But why do I bust this out? I don't know what you got you down Am I just another slutter? I'm confused, what do you want from me? If you're so big, if you're all that we've been through What do you want from me? What do you want from me? What do you want from me? I'm confused What do you want from me? If you're so big, if you're all that we've been through What do you want from me? What do you want from me? What do you want from me? I'm confused What do you want from me? What do you want from me? What do you want from me? I'm confused What do you want from me? What do you want from me? I'm confused What do you want from me? What do you want from me? I'm confused What do you want from me? What do you want from me? I'm confused What do you want from me? What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused What do you want from me? I'm confused Famous You make me feel Famous Every single day Could use a celebration Always there for you Never keep me waiting Got me Shining Like a star You've got Every little piece of my heart You make me feel Famous Like I'm driving down the road Rolling down the street To a party You make me feel Famous Like everybody's watching I don't know In the proper right to talk You make me feel Famous Yeah You make me feel Famous Yeah You make me feel Famous Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Michael Giacovini Tell us about dive bars and diplomats. Okay, so dive bar. There is a bar in New Jersey called The Great Notch Inn. I'll just take the picture really quick. This place has been in, I think it's been in business since the 30s and 40s. Family business, legacy business, and this will give you an idea of how much of a dive bar this place is. The name and owner's name is Rich. When you want to open the door just to get some air into the bar, you have to take the door off the hinges. You carry the door outside. This is the kind of place it is. It's like a vintage roadside bar. That is wild. Yeah, and you just can't even open the door. That's how old the place is. I was telling you about Branson, we got a theme park here called Silver Dollar City. They have actually blacksmiths still do their thing out there at Silver Dollar City. I bought a dog off of one of those guys. He was a blacksmith, and the first thing that dog did when I got it home was made a bolt for the door. I thought you would enjoy that. That's perfect. I've been coming to this place because even though this place is a dive bar, people will walk by. Some people are actually scared because they see a lot of motorcycles outside. They think, oh, that's a biker bar. I dared myself to go in and the guy that owns it, the sweetest guy ever, whatever image you would think of a biker dude, this guy looks like, but he's the sweetest guy. Music there seven nights a week. You go in and you're going to get country, blues, rock. You'll get a mix. All authentic guys. That's where I met Ed Alstrom, the organist for the Yankee Stadium. There you go. Isn't that cool? Amazing talent. Anyway, long story short, I said, Rich, this song, and what you do, Tim, for the radio, this guy is doing for music at a dive bar. He just brings in all musicians. It's an honor to play there. They don't get paid anything. They just feel honored to be able to play at this legendary place. I can see this coming for you too, and I say this all the time on the radio. These little dive bars and more intimate venues, it is a really cool thing when the audience knows your songs, and they can sing them word for word, and you're looking out there in the audience seeing them sing your songs. That's a great feeling, and you guys are going to get there for sure. Really, really appreciate that. First video is going to be for this song, and Rich has agreed to host it, so you're spot on with it. There you go. We talked off the air about my TV channel, so definitely send me that YouTube link, and we'll get you on there as soon as that video is done. Let me know. Yeah, and when I come out to Branson, we've got like a Chiefs game, a Royals game, and a dive bar on our roster. Absolutely. We'll have the time of our lives, brother. It has been fun having you on. Michael Giacovini, he is the drummer for King's Dust on the Tim Kelly Show from KICR Indie Country Radio. This is called Dive Bars and Diplomats on this Triple Play Thursday. We're here together then we go our separate ways Why does it always seem to end up that way Days and nights melt together in a distant haze Why does it always seem to end up that way Dive Bars and Diplomats Regulars in a restaurant We're all here together today Got my favorite tequila and fizz on this plate My Dive Bars and Diplomats today While the music is playing The congregation is free At moments like this they're free This crowd I never knew is my friend Dive Bars and Diplomats Regulars and stranger cats We're all here together today Got my favorite tequila and fizz on this plate My Dive Bars and Diplomats today Now the last calls are ringing The crowd is one they are singing The chance of one more has begun The chance of one more has begun Our hearts beat together as one Dive Bars and Diplomats Regulars in a restaurant We're all here together today Got my favorite tequila and fizz on this plate My Dive Bars and Diplomats today Dive Bars and Diplomats today My Dive Bars and Diplomats today Another hour of the best in New Country starts now on Indy Touchwood Radio New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best New Country's Best Rockstars face As athletes grow brittle A slight of reinvention keeps me highly brittle You fell for the glam Another broken heart Another notch in my belt Before I make a new start Will you think you know me? Delusions tell me Deceptive detail, yet elusive through well You're best to find me Leave my tracks behind me So much to uncover But you'll never discover You're a stuffy-made man You're a stuffy-made woman Stuffy-made man Got my head in the sand You can't understand Tell me who I am Come on, girls Now is the time for this slick magician Carefully plan my next contribution Climbing corporate ladders And shaking politicians Lord only knows Outside the devil's position You're a stuffy-made man And you're a stuffy-made woman Stuffy-made woman You're a stuffy-made man Got my head in the sand No, you can't understand Tell me who I am You're a stuffy-made man Stuffy-made woman You're a stuffy-made man Stuffy-made woman Stuffy-made woman Stuffy-made woman Stuffy-made woman You're a stuffy-made man You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman You're a stuffy-made woman But most of all they love the feeling That true love brings Now I've known a few ladies I've learned how to treat them right A little tender love and care Will go a long way late at night You can promise forever But the words are not enough You've got to know what's in a lady's heart To win a lady's love And ladies love warm sunshine Sipping on sweet red wine They love flowers and flowers And dancing and grief for time Oh, ladies love fancy things Silky satin and diamond rings But most of all they love the feeling That true love brings Oh, ladies love warm sunshine Sipping on sweet red wine They love flowers and flowers And dancing and grief for time Oh, ladies love fancy things Silky satin and diamond rings But most of all they love the feeling That true love brings Oh, ladies love fancy things Silky satin and diamond rings Oh, ladies love fancy things Silky satin and diamond rings Oh, ladies love fancy things Silky satin and diamond rings Oh, ladies love fancy things Oh, ladies love You ain't got to be sad All the things that lift you up And everything that's brought you here Happiness can rise above And take away all your fears Living life with love and hugs Not looking in the rear view mirror Letting go of all that was Finally catch those falling tears Don't worry about nothing Cause me ain't got it that bad You ain't got to be sad In this bad world Everything's gone bad In this bad world You got beauty in hell That's the way, girl Better look at yourself You ain't got to be sad If you feel like giving up Well, you should know we've all been there It's not about what's in your cup Just as long as something's there Living life with hope and trust These arms are holding us If you feel like giving up Just know they're strong enough But don't worry about nothing Cause me ain't got it that bad You ain't got to be sad In this bad world Everything's gone bad In this bad world You got beauty in hell That's the way, girl Better look at yourself You ain't got to be sad In this bad world Everything's gone bad In this bad world You got beauty in hell That's the way, girl Better look at yourself Just take a look at yourself You ain't got to be sad If you feel like giving up You should know we've all been there It's not about what's in your cup Just as long as something's there That is the latest single out to radio for Jonathan Lynn It is called Sad Girl before that lady's love And don't be sad, girl We got two more hours of the Tim Kelly Show And one more song from Jonathan Lynn To complete his Triple Play It is a great ballad called Lovers, Partners and Friends Jonathan Lynn on the Tim Kelly Show From KICR, Indie Country Radio New Country's Best on Triple Play Thursday It's been years Since we said I do Baby, I'm still in love with you It keeps getting better Each moment we share Every waking hour I live my life for you And I want you to know The love I feel for you Deep in my soul You're my lover, my partner You're my best friend Stay this way until forever's that it is If you should ever doubt my love for you You better think again We're lovers, partners and friends I thank God for you every day of my life You're the answer to my prayers I want to show you How much you change my life I'm proud to be your man And I want you to know The love I feel for you Deep in my soul You're my lover, my partner You're my best friend Stay this way until forever's that it is If you should ever doubt my love for you You better think again We're lovers, partners and friends I know we fear sometimes and wonder Will our love survive as we grow old My love for you couldn't be stronger If I lived to be a hundred years old Girl, I need you to know You're my lover, my partner You're my best friend Stay this way until forever's that it is If you should ever doubt my love for you You better think again We're lovers, partners and friends Girl, we are lovers, partners and friends Girl, we are lovers, partners and friends New country, new country Late for work, my hair's a mess I can't deal with all the stress I looked in the mirror and it couldn't be clearer I still can't fit my favorite dress So I'm gonna lose weight, won't be late Get my bad habit I won't hesitate to change my fate Gonna make it happen Gonna get things straight instead of date I can't wait to get started I can't wait to get started, starting tomorrow I lit a cigarette and told myself I can quit, but not just yet I'll get things right when I have the time I found a pen and began to write I'm gonna lose weight, won't be late Get my bad habit I won't hesitate to change my fate Gonna make it happen Gonna get things straight instead of date I can't wait to get started I can't wait to get started, starting tomorrow I'm gonna make the time, get back on the track No more yesterday, that's in the past I'm gonna lose weight, won't be late Get my bad habit I won't hesitate to change my fate I'm gonna lose weight, won't be late Get my bad habit I won't hesitate to change my fate Gonna make it happen Gonna get things straight instead of date I can't wait to get started I can't wait to get started, starting tomorrow Starting tomorrow Starting tomorrow Driving down the road in a fancy new car Looking for a place to let loose A few miles up the road we came upon a bar Where we could have our celebration too Slammed on the brakes and by the looks Slammed on the brakes and by the look on your face We both knew this was the place You got the whiskey, I got the ride We got the chainsaw, we don't think twice We like to party, have a good time That's how great I drink a lot Everyone could see we're having so much fun Being free, breaking all the rules Laughing and dancing till the midnight sun Making friends, kicking off our shoes We sang along to every word that Ben had sung We all cheered, we're number one You got the whiskey, I got the ride We got the chainsaw, we don't think twice We like to party, have a good time That's how great I drink a lot You got the whiskey, I got the ride We got the chainsaw, we don't think twice We like to party, have a good time That's how great I drink a lot That's how great I drink a lot That's how great I drink a lot That's how great I drink a lot That's how great I drink a lot That's how great I drink a lot Dallas Stump I have false eyelashes and new gel nails We got a flannel shirt, won't get wrecked on bail I wear Louis Vuitton, I'm wearing Ropers Four inch heels going out on the town Dirt on my boots and I'm working the ground I'm sipping martinis, I'm shooting whiskey City girls and town girls We're so different in the same world Get dolled up and be city pretty Or come from the farm and be nitty gritty Be a redneck or a cover girl Like all the rock star inner-country girls We're all just city girls and cowgirls Driving my V, we're going out to the farm In my 4x4, can outrun the law I like paid streets, they're roads for me Sexy and sick when going out to the club Wearing my Wrangler's gonna have me some fun I'm diamonds and lace, I'm leather and jean City girls and cowgirls We're so different in the same world Get dolled up and be city pretty Or come from the farm and be nitty gritty Be a redneck or a cover girl Like all the rock star inner-country girls We're all just city girls and cowgirls You can come on in and see the ride right through the city Or come on out to the farm Cause we're having a party, having a bond City girls and cowgirls We're so different in the same world Get dolled up and be city pretty Or come from the farm and be nitty gritty Be a redneck or a cover girl Like all the rock star inner-country girls We're all just city girls and cowgirls We're all just city girls and cowgirls We're all just city girls and cowgirls You're pretty local to the area where I'm at here in Branson You're from just north of me in Golden City, Missouri Yes, sir, I am The big town of Golden City The metropolis Hey, Branson's not much bigger, it's only 10,000, right? Well, we're only 700 700, you're not big at all No, we're a little bitty I've actually been to Golden City, in fact our grandkids They just moved to Springfield and they're going to Springfield Public Schools now But they were going to elementary school in Lockwood, not too far from here Yeah, that's just seven miles down the road I love it, I played football for Lockwood in high school That is awesome Speaking of high school, when you were in school You lived this dream of taking music and becoming a country music artist And it all started with a hand-me-down guitar, it says It did And a tenacious vocal talent Tenacious vocal talent, that was something that somebody Yeah, about five years ago, and I thought that was kind of cool, so we ran with it I love it You definitely have that, and the folks will figure that out here in just a little bit when they hear you sing But tell us about that interest in country music And kind of maybe what you listened to growing up on the radio Or who influenced you? Well, I mean, I grew up listening to the 90s country I was born in 94 My parents and grandparents owned a dairy farm And there was a radio in the barn And we kept it on the radio station that's local up here where I live And it was always country music So I grew up listening to the Joe Diffies and the George Straits and the Alan Jacksons And all the 90s stuff that I've really turned into my style of music today So that's kind of how I got my first love for country music started Was back then I never really even started playing until I got to be about 21 years old Now that 90s country, and I say it all the time, that's the reason I'm doing country radio I started DJing 80s music when I went to broadcasting school in 88 in San Diego, California But I moved back to my home area of Missouri But my first wife down in Oklahoma, in southeast Oklahoma, where Blake Shelton's from, in Ada I lived there for about 20 years Everybody's listening to country back then too And that's what got me wanting to do it Because I think it tells the best stories And man, I just love that Oh, absolutely, I agree And if you're a songwriter, like most of the artists that we play on this program are There's just so many great stories about And there's so many cool things to do in Lockwood, I know, or in Greenfield You've got the hunting, the fishing, the back roads, all of that, Golden City All of that where you grew up Oh yeah, and it ain't going nowhere anytime soon So tell me about that guitar that you got, where it all started Did you teach yourself to play, or were you taking lessons, or what? I learned on YouTube, actually Wow, no kidding Yeah, I got on YouTube and learned There's an old hand-me-down guitar in my dad's closet That had just been there my whole life I never thought anything about it, never thought twice about it when I was growing up Got out of high school, decided I wanted to learn how to play Got it out, got it strung Sat down one winter in my apartment here in Golden City Pulled up YouTube and learned how to play And then kind of went on from there, and the rest is history That is awesome, I love that Well, I tell you what, you're well on your way, man You have gotten with a great promoter Her name is Jennifer Redding, and she is the one that hooked up this interview So yeah, I want to give her a big shout out And she works with a lot of great Texas country artists So if you're in that mix, man, country music is sure huge in Texas, isn't it? Oh, it is, they have their own style of country music down there Red Dirt Country, they've got it going on Yes, sir, yes they do And they do everything big in Texas, including country music So you're in the right place Yes, Texas is a big place I just got back from Texas And sometimes you've got to drive through New Mexico to get to other parts of Texas It's a big, big place One of the shows here in Branson, Stevie Lee Woods He plays like Delbert McClendon in his show from Texas and some of those And he talks about driving across there He said if you just drive across the state of Texas, you better pack a lunch It's an all day deal Yeah, it was funny because when I left my hometown to go to Texas I went straight to Lubbock, and it took like seven hours Well, then I left Lubbock and went to Houston And that was seven hours just to Houston I was thinking, this is quite a big state Yeah, absolutely, you know, that's funny you mention that I worked out there in 2008 in Lubbock, Texas Actually, I stayed in the Leveland Motel in Leveland, Texas And this little town of Sundown, they were building a gas plant And we were rigging on a crane out there And I was out there for about three months Yeah, that gave me an opportunity to meet a lot of great people in Texas And man, they're just hospitable I guarantee you it's fun playing a gig out there in Texas, isn't it? It's pretty fun, I enjoyed it for the most part I loved it down there, I loved the speed limits and stuff like that too Being able to get from point A to point B The people were fun, the food was amazing I'll tell you what, the wind out there had a speed limit One day they sent us home and it was blowing that Texas dust all over the place It blew it all the way to Oklahoma, but the wind was 63 miles an hour that day See, I didn't get caught in any dust storms out there So I considered myself lucky Yeah, I sure did You're getting to play a lot of great venues and honky tonks and bars around the country Anyone that really stands out to you that you say, hey, if they call again, I'm there? Oh, that happens all the time, there's so many I can't count I have a good time about all the time Most places I go, I have a good time I return to a lot of the places that I play at right now I kind of like to build the relationships with the bar owners and the staff It's cool, you go in there and they're excited to see you You get to see people and make friends Yeah, I play all over, like I said, I've been all over the place the last year I was in Texas last week, I'm going to leave for Michigan on Friday So I've got, yeah, I'm all over the place That's awesome, safe travels All starting from this little town, the Golden City of 700, how about that? Who'd have thought? That's pretty cool That is a story in itself I interview a lot of artists that have been on Blake's team of The Voice Now it's Reva's team and different ones like that These talent competitions They all have a story to tell that TV really likes to hear, don't they? You've got a great one Well, thank you, I appreciate that Sometimes I feel like the TV shows really lay it on thick Mine's just genuine And that's what he is I like to tell people I auditioned for American Idol a few years ago And when they asked me my story, I just told them straight up I said, if you guys are looking for something sad, I can't provide that I live a pretty normal life I'm just here chasing my dreams That's what I love to hear, though And another thing that I love is when I see in your bio It says that your love of traditional country music With a gravely alternative edge is what you make I always love giving kudos to the young folks like yourself That are keeping traditional country music alive I love that Yep, we're bringing back the steel and fiddle But we're bringing it back just maybe a little heavier than it was before When you come to Branson, some of the shows Especially the one that I've been working with for the last 5-6 months This last year, the Nashville Roadhouse Live They've got Michael T. Hermsmeyer that plays the steel like no other Devil went down to Georgia with Charlie Daniels band on the fiddle, too Oh, really? Yeah, that's good stuff That sounds like he's super talented Yeah, he is, and so are you And I can guarantee you that folks are going to hear that In just a little bit in your songs Your brand new single is what we're going to play first Blue Collarville Tell us about this one And this, obviously, just by the title Is the story of your life, I'm sure, growing up Right, well, you think that Today, I would like to go ahead and give some credit to the songwriters Who did such a great job on it Because I did not actually write this song It was written by a gentleman named Corey Lee Barker And another one named Dave Allen Palmer Dave Allen Palmer, I'm sorry I'm sorry, I got the name wrong there We were going to make an album in November And the song fell on my lap And it was a little different than the way you hear it now But he kind of took it and adjusted it The sound of it And made it into that honky-tonk style song that it is now And I mean, I just related to it on a personal level Because before I started playing music full-time Like we've said several times already I grew up in this small town I grew up working at the local co-op Grew up feeding cows, farming, stuff like that So I was no stranger to the blue collar lifestyle There you go I hear Corey Lee Barker brought up One of the artists that I interview And he is a well-known and great songwriter A fantastic songwriter And here's another thing You said you auditioned for American Idol And of course you know this from being on those competition shows You've got to pick a song that somebody else did And make it your own And that is the neat thing about taking this song That somebody else wrote And putting your vibe to it, isn't it? Yes Like I tell people People like to throw shame at others For cutting songs that were written by other people And I'm not like that I mean, I write my own music too I have some songs that I've written But I think that there are just as many songwriters out there Who are trying to do their life Live their life, do their thing Just as there are people out here trying to play music And write songs of their own And play their songs So sometimes it doesn't hurt to take a step back Because somebody might have something better to offer Than what you have to offer yourself And when you both get up The Texas Country Music Charts is a big one to be on And if it ever makes it to Billboard And Music Row And all them other charts that are out there It's a win-win for both of you I'm friends with a lot of songwriters Who, that's all they do But they come in and listen to this program They come into our chat room And they're listening for your songs To give them ideas on something they might write later on That's great And also through this program A lot of duets have come about And I'm looking at one If I can get back to it down here at the bottom Yeah, there you are You did a duet with a young lady By the name of Ashlyn Gray Tell us about her and this song called Middle of America Oh, did I lose you? Welcome to the Message Management System Please enter your mailbox number Hello I do believe I got disconnected from you There we go, now we got you back on Yes, I'm so sorry about that My call just dropped, I'm so sorry That's alright, you probably got AT&T like I did No, I got Verizon And sometimes I'm at home today And sometimes when I walk around the corner for some reason The call drops I just wanted to ask you about A lot of duets come from people Listening to this program as well You got a great one that you did with Ashlyn Gray, tell us who she is Ashlyn Gray Ashlyn Gray is my manager's daughter Very, very talented young lady Her and I, when I first started Playing, first met my manager By the way, I'd like to give my manager a shout out James Ferguson for all the things that he does He's amazing, changed my life for the better 100% His daughter has been playing music for a long time And when he started booking shows for me She was kind of Sick, going through some Sick stuff And I was going to shows helping her And her and I just kind of got to where we was Playing together well We had the idea to do a duet So we went and it was an American Aquarium And a Hayley Witters cover And we was actually Going to watch them play at the Ryman So we decided to do the cover And we ended up on the internet for that show Because we was excited about it But yeah, no, Ashlyn Gray My manager's daughter, very, very talented young lady Very, very smart Intelligent She's actually in college right now To be a teacher, if that says anything about her Man, that is great Yeah, she's great Yeah, and you mentioned Hayley Witters I've got a bunch of her music too And she's an independent artist Hayley is so good Very talented And you know, I'll talk about it to a guy But you can agree that I'm sure Aren't the women of country music really killing it right now? Oh my God I mean, they're not making it easy for the rest of us I can tell you that You know, there's these stations That still to this day They've got a man to women ratio And I am not like that Yeah, triple play Thursday Everybody gets played three times in a row I don't care if it's a male, female, band, group, whatever You're one of those too But we're going to play three of yours We're going to start off with your latest single Called Blue Collarville We're going to play it for the folks And then we're going to come back And talk to Dallas Stump some more On the Tim Kelly Show From KICR, Indie Country Radio New Country's Best It's another double dose of the same old same Maximum work Minimum pay Just another day Here in Blue Collarville We love punching in And we love punching out From ordinary cars To ordinary houses It's another day Here in Blue Collarville Enough It really ain't that hard Cause we'll never get further Than where we are We're the middle of the pack Community celebrating Next level mediocrity Yeah, we're hard working early risers Can't afford a supersized equation We were somebody else Yeah, welcome to Blue Collarville Right bottom hat and paddles But the cops out of reach Find a new way to stay stuck in between It's just another day Here in Blue Collarville Enough It really ain't that hard Cause we'll never get further Than where we are We're the middle of the pack Community celebrating Next level mediocrity Yeah, we're hard working early risers Can't afford a supersized equation We were somebody else Yeah, welcome to Blue Collarville Yeah, we're hard working early risers Can't afford a supersized equation We were somebody else Yeah, welcome to Blue Collarville Yeah, we're hard working early risers Can't afford a supersized equation We were somebody else Yeah, welcome to Blue Collarville Yeah, welcome to Blue Collarville Yeah, welcome to Blue Collarville Enough It really ain't that hard Cause we'll never get further Than where we are We're the middle of the pack Community celebrating Next level mediocrity Yeah, we're hard working early risers Can't afford a supersized equation We were somebody else Yeah, welcome to Blue Collarville Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away Feels like we're wasting away We're getting put out to 10 radio stations tonight That's 10 more we didn't have before I'm excited about it You've traveled all over the Midwest Played the little bars and honky tonks Now you get to play Belgium and Germany And some of these other places, Ireland That's cool to me And you don't have to book a flight That's even better Absolutely Now the reason that we are doing this Is to help get you out there For sure But your tenacious vocal talent needs to be heard And I'm always that way about a good song I don't care if it's been out for four days And in fact I even like that better Because I want to be one of the first radio stations to play it And it is a pleasure to have your new single Blue Colorville on the program And if I can say new country's best behind the song That's what this show is all about That's our tagline Right, for sure I appreciate you guys playing me Yeah, absolutely You talked about some of that 90's country That really influenced you And what you grew up listening to on the radio Now at what point You became a guitar player You did that by watching YouTube I think that's fantastic But at what point did you think To yourself Hey, maybe I do have a voice Maybe you didn't think you got a tenacious voice Like it's written in your bio But at what point did you say Hey, I think I want to try this country music singing thing So the singing came before the guitar Actually I kind of put the carriage in front of the horse On that story But the singing came first I was always kind of able to sing a little bit At least I kind of thought that I could I didn't know Because I never really put myself out there to do it But I was never one to say no To a karaoke machine At a party or at a bar So I started kind of doing that With my friends a little bit And that was kind of what inspired me Like man, if you could play guitar You'd be unstoppable And I was like, well, maybe I should learn to play guitar It kind of was that way And originally I never really dreamed Of turning it into a career By no means It was more of I was thinking, well if I can kind of sing And I can kind of play guitar Then I might kind of be able To pick up chicks easier That was my party trick That's all it was going to be I guess things change That is awesome, man What a great story Using country music to pick up girls That's not a bad thing No, no I thought it was smart at the time Now you're picking up radio stations How about that? Like I said, how things change You are the man I love it Okay Actually Deal trying to load your next song We're going to play your latest single Or is it One of your latest singles called Oklahoma Rain? Oklahoma Rain Is not my latest single yet I think we're getting ready to Maybe release a studio version of it The one that you've got I believe is an acoustic version But yeah I've got some more songs Coming out here in the next few months I think you guys are going to be pretty excited to hear And we're excited for you guys to hear them Cool I know about a month ago I spent 20 years in southeast Oklahoma It does rain down there quite a bit this time of year We've been getting it in Branson too A lot Oklahoma Rain is something that happens Tell us about this one Well The song started out It was written mostly by a lady I don't remember I'm trying to remember exactly how to tell this story So I don't tell it wrong Long story short Lady named Sandy Williams Had this song brought to me It was not exactly Like I said again It was written in the 90s But we wanted to make it a little more modern So I kind of took some Made some changes to it Took it to the studio Made it a little more Sound A little more maybe some modern phrasing A little more modern sound to it But still the 90s country vibe And it's crazy People love the acoustic version So we're really really excited to see What this new one does That is awesome And we're going to play that here in just a little bit And isn't it amazing about music And how many songs are out there That maybe haven't even been recorded yet This one is probably about as old as you are Very close to it And you know I interviewed a songwriter Out of Nashville here a while back She said she has 2000 songs in her library And she tries to release one a month I mean she'll be living forever If she releases all the songs That she's ever written and records them herself But you know it's a win win If another artist even picks up something that you wrote You know like I said Corey Lee Barker You both get kudos for that Songwriting is a great talent God given talent Man it's crazy You know in all in country They say it starts with three chords and the truth That's what they say Sometimes it starts out With three chords and a lie Exactly Well there's no lie about your music You do have a tenacious voice And you're fantastic And I look forward to having you on the program again This has been a lot of fun Absolutely Tell us where folks can find you on social media If they want to check out some more from Dallas Stump You can find me anywhere You can find me on social media Across the board Whether it be Facebook, Instagram, Twitter, TikTok All that good stuff You can find my music On any of the streaming platforms Whether it be Spotify, Apple, anything like that And of course you can call your local radio station And request Blue Collarville Today Any of your local stations Yeah that's how you can find me I'm pretty easy to find That is awesome In fact I think didn't you post here a while back That you were getting some radio airplay With that new single on a radio station So like FM radio I think it was Texoma country down there wasn't it Well I've got some down there in Texas I've got some in Oklahoma I've even got one over in Pittsburgh Kansas The radio station I grew up listening to That's the one I love you I'm friends to this day with Bob Burke He used to be on that radio station When I lived in Fort Scott back in 01, 03 Something like that I've listened to it my whole life I recognize that name well Tom Watts he was the morning guy over there Now he works for a station out of Joplin But yeah I'm selling the insurance like I used to do When I was in Lockwood and Golden City And I knocked on the door in Frontenac Kansas Which is just outside of Pittsburgh And I came up on Tom Watts ex-wife And she bought a policy Oh wow You never know I said you're married to the morning guy on the cow right She goes yep that's him or used to be I like it It's a small world isn't it brother Now it gets smaller every day Oh absolutely But you're making big waves in the world of country music Keep doing your thing and we'll sure keep playing it I sure appreciate that You bet have a great summer We'll be back in a few months and promote something new Be sure to hit us up Absolutely I'd be more than happy to come back You guys have been great thank you for having me so much Been a pleasure His name is Dallas Stumpf This is the acoustic version of Oklahoma Rain On the Tim Kelly Show from JICR Indie Country Radio New Country Bests on Triple Play Third You told the streets call out to me As the misty rain falls down Memory waits at my front door Then we take a walk downtown I relive the day you left But it always seems the same As I stand crying I ask you why In the Oklahoma rain People say I'm crazy When they look around to see Who the hell I'm talking to No one there but me Only my reflection In the dive bar window pane As I stand crying I ask you why In the Oklahoma rain People say I'm crazy When they look around to see Who the hell I'm talking to No one there but me Only my reflection In the dive bar 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why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why As I stand crying I ask you why Why can't we get along? Why are you always acting nice? Then you go running up and down this town Spreading all your lies Why are you always smiling? Is it just an act? I see you in the corner Whispering behind my back Can't you stop, stop, stop Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Can't you please stop, stop, stop You're all I need Come on baby Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Rock on, rock on, rock on Indie Country Radio I see you makin' nine cents with a little honey Mindful of wishes, a pocket full of money Thinkin' white ticket fence, oh nine yards Before you get yourself down a road that far Let me tell you where you are Man, you're workin' on your neck, broken heart She's missed, she's missed, she's missed all my mornin' Yeah, she's ain't hurt, can't come down Before you hear that a-warnin' Brother forgive my friend's bound Ain't no man gonna hold her down That's me, a little angel That's me, a little angel She's hittin' it hard in this town She's an empty glass while you're still pourin' Ain't no happy ever after endin' to your story Well, you might be sad for a while But you're gonna wake up with a big ol' smile She's missed, she's missed, she's missed all my mornin' Yeah, she's ain't hurt, can't come down Before you hear that a-warnin' Brother forgive my friend's bound Ain't no man gonna hold her down That's me, a little angel We're hittin' it hard in this town I was bettin' that you'd never leave me Always be together with you in her arms and holdin' on I was bettin' that you'd never leave me Always be together with me, then I won't come along She's missed, she's missed, she's missed all my mornin' Yeah, she's ain't hurt, can't come down Before you hear that a-warnin' Brother forgive my friend's bound Ain't no man gonna hold her down That's me, a little angel We're hittin' it hard in this town Well, now that's me, a little angel We're hittin' it hard in this town You're gonna miss, you're gonna miss Missed all my mornin' Missed all my mornin' Whoo! Number 2 The first thing I noticed when I walked in was you Girl, you're shinin' like a light in a dark, crowded room Would you mind if I sit down and bow you around? You can tell me to leave when the glass is run out But it's clear by the look in your eyes That we both want the same thing tonight Pretend that the whiskey ain't talkin' to us, sir And you'll answer the first time I call If I told you that you folks was playin' for us Would you tell me your head ain't a ball? Because you've got the whispers and I've got the ears It ain't no secret what I wanna hear in the online It only goes beyond the phone We'll abide you down and get down on one knee Will we have a white wedding on a shore by the sea? Will we build a big house with a wrap around you? Will we travel the world just to sing somethin' new? Yeah, we know there's no truth to these words But tonight, girl, one can't hurt Pretend that the whiskey ain't talkin' to us, sir And you'll answer the first time I call If I told you that you folks was playin' for us Would you tell me your head ain't a ball? Because you've got the whispers and I've got the ears It ain't no secret what I wanna hear in the online It only goes beyond the line Well, as long as the bartender pours We can sit here and let our hearts mend They'll turn on the lights, we'll call it a night And that's where the story will end Pretend that the whiskey ain't talkin' to us, sir And you'll answer the first time I call If I told you that you folks was playin' for us Would you tell me your head ain't a ball? Because you've got the whispers and I've got the ears It ain't no secret what I wanna hear in the online It only goes beyond the line Beyond the line It only goes beyond the line Beyond the line Beyond the line Beyond the line Beyond the line Beyond the line Beyond the line He gets up every mornin' before the sun comes up He's hattin' way through his workday Before you fill your coffee cup He climbs high up in his tractor Made like frogs across the land Puttin' food on all our tables with his two calloused hands It's a life that you understand Yeah, the worries and the stories and the struggles And the struggles of the forgotten man But he never thinks twice About the sacrifice that he's makin' It's a long, hard livin' But he keeps on givin' Despite the toll that he's takin' He stays solid to the core He was sent here by the good Lord to protect And watch over the land Yeah, the worries and the stories and the struggles Of the forgotten man He's made of his rack He's laced up his boots Presents colors 8 AM He's red, white and blue Writes a letter to his mom Tell her he misses home But they're shipping him out Don't know for how long He's just doin' the best that he can Yeah, the worries and the stories and the struggles Of the forgotten man But he never thinks twice About the sacrifice that he's makin' It's a long, hard livin' But he keeps on givin' Despite the toll that he's takin' He stays solid to the core He was sent here by the good Lord to protect And watch over the land Yeah, the worries and the stories and the struggles Of the forgotten man Oh, yeah Just like the stories we've been told About that hero long ago Oh, he bravely faced the call On that old rugged cross Let's be close to all those That never think twice About the sacrifice that they're makin' It's a long, hard livin' But he keeps on givin' Despite the toll that he's takin' He stays solid to the core He was sent here by the good Lord to protect And watch over the land Yeah, the worries and the stories and the struggles Yeah, the worries and the stories and the struggles Yeah, the worries and the stories and the struggles Of the forgotten man Forgotten man Forgotten man You're listening to The Tim Kelly Show's Triple Play Thursday on KICR Indie Central. Forgotten man Forgotten man Angel Baby Angel Angel Forgotten man I've got a wild rebel heart With a past habit of choosing the devil My past is messed up and dark When it comes to love, my heart can't seem to level You got me right, right, right, yeah On that sweet high of serotonin So here I am at the bar in town When another man asks me what I'm thinkin' about I say, there ain't no baby like the one I got So get up off me If I can't take him to heaven Then I'm not goin' Time to get up outta this bar And back to my baby's bed Cause there ain't no, ain't no Baby like the one I got My mama says that she don't like you But I have a problem turnin' down bad boys with tattoos So I'm gonna need a little balance I forgot tonight Save my baby a billy cipher And open them gates up wide And I'll try and try to fix you While I try to keep an eye on my feelings for you So here I am back at the bar in town When another man asks me what I'm drinkin' about I say, there ain't no baby like the one I got So get up off me If I can't take him to heaven Then I'm not goin' Time to get up outta this bar And back to my baby's bed Cause there ain't no, ain't no Baby like the one I got I know it won't last long too Because my mama cried over you But that ain't gonna stop me from leavin' I find it so hard to ask you Time to get up outta this bar And back to my baby's bed Cause there ain't no, ain't no Baby like the one I got I'm born and raised in the dirty south Where they put a little more sugar in their ice tea Known to have a dirty mouth Our mamas raised us to take the high road And let me say, you can't choose where you come from And if you want some, come get some They said we gettin' a little crazy Raise hell till we're pushin' off that bridge Dirty, dirty, dirty, dirty south, yeah Worried mama, they take the food out of the poor man's mouth You can't find us on the other road Fallin' down where the wild things grow We don't go out without some smoke Cause we're sick and bitter, can't clean up the dirtiest hole And daddy said to always make him proud When trouble comes, we ain't scared To stand our ground in church when Sunday comes around Front row seat, even if we shut the bar down We're the kind to say thank you, ma'am A real short fuse to our givin' down And this is all that we've ever known And we're so proud to call this our home Dirty, dirty, dirty, dirty south, yeah Worried mama, they take the food out of the poor man's mouth You can't find us on the other road Fallin' down where the wild things grow We don't go out without some smoke Cause we're sick and bitter, can't clean up the dirtiest hole Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, 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yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, The day you left me I go a little crazy now and then That's about as far as I've been Since you've been gone If you ever go and change your mind I won't be hard to find Hope you're doing great I'm still in the state you left me in I'm still in the state you left me in I go a little crazy now and then That's about as far as I've been Since you've been gone If you ever go and change your mind I won't be hard to find Hope you're doing great I'm still in the state you left me in Hope you're doing great I'm still in the state you left me in Hope you had a good flight I hear cobbles and ice This time of year His name is Jake Worthington. He's an alumni artist of season number six of NBC's The Voice. He was on Team Blake. And that is called State You Left Me In. That state is misery. I mean Missouri. I get those mixed up every time. No, I'm just kidding. It is Missouri, Branson, Missouri, to be specific, on this live show tonight. And next new thing before that from Jake Worthington. Well, it is almost closing time for the Tim Kelly Show. That means we got one more song to play for Jake Worthington to complete his triple play. It is entitled Closing Time on the Tim Kelly Show from KICR, Indie Country Radio, New Country's Best on Triple Play Thursday. And ain't the stories that old jukebox tells It ain't calling shots over eight ball fills Ain't how the neon shines through a smoke-filled room Ain't hard to understand what keeps me on this street It just ain't close enough to closing time for me to leave this bar and our love behind I know I'll close my tabs with you off my mind It just ain't close enough to closing time It takes half a day and half a night to make half a man feel half alright And when I hear last call I'll get to leave this place Oh, but as it sits I still see your face It just ain't close enough to closing time for me to leave this bar and our love behind I know I'll close my tabs with you off my mind It just ain't close enough to closing time Oh It just ain't close enough to closing time for me to leave this bar and our love behind I know I'll close my tabs with you off my mind It just ain't close enough to closing time It ain't the stories that old jukebox tells It ain't calling shots over eight ball films I'll be live on there again tomorrow night We'll hit the airwaves at 7 p.m. Central Time I want to thank my special guest tonight Michael Giacovini from the great group King's Dust and my buddy Dallas Stumpf for joining me on the program tonight Tomorrow I've got two more special guests Amanda Keels from Canada will join me on the program and Miss Allie Colleen She's the daughter of some guy named Garth and that's going to be an exciting interview as well It will be our third so you'll have a good time tomorrow night as well and we'll play lots of new music for you on New Music Friday The Tim Kelly Show is produced by Tim Kelly Productions Like the Tim Kelly Show on Facebook and we will like you right back Until next time I will see you on the radio and I'll see you on YouTube on KICR Indie Country Radio Bye bye everybody I can put you in a cornfield In downtown Manhattan Close your eyes And breathe that old sand cold I can put you on a riverbank While you're fighting frantic I'm a song I'll see you on the radio Turn me on And turn it up I can make you smile Make you cry Turn back the pages of your life Turn me on I'll see you on the radio Turn me on I can take you back to high school Gym floor and a slow dance First love, first kiss, second base Down that old turn around When it's freezing cold I can sink your toes Warm white sand I'm a song I'll see you on the radio Turn me on And turn it up I can make you smile Make you cry Turn back the pages of your life Turn me on I'll see you on the radio I'm young I'm old I'm country I'm rock and roll But turn me on And turn it up Let me make you smile Make you cry Turn back the pages of your life Turn me on I'll see you on the radio I'll see you on the radio