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Playing The Best In New Indie Country Music
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Playing The Best In New Indie Country Music
All my friends say forget her, go out and have some fun, but they've got no idea of all the damage that she does. Her memory is killing me, this pain has got to end. So Jack and Jim, come on in, it's unhappy hour again. Bartender please, one more of these. And keep on coming, till I tell you when, it's unhappy hour again. On every bar stool, sits a good old boy like me, drinking to forget that girl, who haunts his memory. It's hard to hide, the hurt inside, and so I pretend. Let's make it clear, she's why I'm here, it's unhappy hour again. Bartender please, one more of these. And keep on coming, till I tell you when, it's unhappy hour again. A heart that's broken, ain't easy to fix. And when you love someone, it's hard to call it quits. Her love for me, is history. And so the story ends. So raise your glass, here's to the past, it's unhappy hour again. Oh Jack and Jim, come on in, it's unhappy hour again. Unhappy hour again. Ladies and gentlemen, it's time. The show starts in 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, 0. Are you ready? It's showtime. Please welcome, to Kelly. Monday, I was dragging, like a rusty old wagon. Tires all plodding, gotta die on breakfast. Late night red eye, overtime habit. Tuesday, Wednesday, Thursday, been like forever, this struggle bus, gotta leave this on me. Hello buddy, I could kiss you. The way you spurt me way too hard. I'm gonna toast you with a fast food. Thanks a good lord for this far. Maybe I'll ask if you're going to dance. Yeah, I think I've seen my dance. Staring from across the room, looking like he's in a dancing mood. Hello buddy, I could kiss you. Put my lips on a long neck, drink a little of my paycheck. Jackpot, jukebox, when I hear that throwback. George Jones takes me way back, like a Kodak. And I'm smiling, you're right on time, and finally. Hello buddy, I could kiss you. The way you spurt me way too hard. I'm gonna toast you with a fast food. Thanks a good lord for this far. Maybe I'll ask if you're going to dance. Yeah, I think I've seen my dance. Staring from across the room, looking like he's in a dancing mood. Hello buddy, I could kiss you. Hello buddy, I could kiss you. The way you spurt me way too hard. I'm gonna toast you with a fast food. Thanks a good lord for this far. Maybe I'll ask if you're going to dance. Yeah, I think I've seen my dance. Thanks a good lord for this far. Maybe I'll ask if you're going to dance. Yeah, I think I've seen my dance. Staring from across the room, looking like he's in a dancing mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. Hello buddy, I could kiss you. The way you spurt me way too hard. Maybe I'll ask if you're going to dance. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. Hello buddy, I could kiss you. The way you can't really get me in the mood. By the time he was eleven, he found his obsession. Cutting burley they raised in the field out back. While he was still a young man, he inherited the farm land. He stood ten feet tall in his overalls. That's my daddy's dad. He'd read while I'd play and sing. To me, that old man means everything. Growing up, he was the greatest grandpa any boy could have. My daddy's dad. At twenty-six he married and soon my nana carried the only son they would ever have. They named that baby Roger and he became my father. A stubborn man with an iron hand just like my daddy's dad. He'd read while I'd play and sing. To me, that old man means everything. Growing up, he was the greatest grandpa any boy could have. My daddy's dad. He always dreamed I'd be a big star. He bought me my first guitar. A six string with a homemade leather strap. Music was his passion and it's funny how much happens. The biggest fan I'll ever have. That's my daddy's dad. He'd read while I'd play and sing. To me, that old man means everything. Growing up, he was the greatest grandpa any boy could have. My daddy's dad. Growing up, he was the greatest grandpa any boy could have. My daddy's dad. Love you, Jimmy. It's time for today's newest country music. Indie Country Radio with Tim Kelly. Your eyes gave you away. It was no surprise. I knew something had changed. How could you treat me like a fantasy? Then pull the rug out from under me and leave me hanging. Leave me in the dark. Thinking it would break my heart. I ain't no slave for neither of you. I'm so tired of your truth. Good luck with what's your name. When you mess up, get through the blame. You make it easy to believe. You're somebody I don't need. Is there anything I've learned? I'm someone you don't deserve. One day, you'll know what you've missed. Yeah, someday, you'll want us back again. And when you wanna run back to me, guess where I'm not gonna be. You made your bed. I'll forget but won't forget. I ain't no slave for neither of you. I'm so tired of your truth. Good luck with what's your name. When you mess up, get through the blame. You make it easy to believe. You're somebody I don't need. Is there anything I've learned? I'm someone you don't deserve. Someone you don't deserve. Whoa, someday I'll find someone new. Whoa, somebody so much better than you. I ain't no slave for neither of you. I'm so tired of your truth. Good luck with what's your name. When you mess up, get through the blame. You make it easy to believe. You're somebody I don't need. Is there anything I've learned? I'm someone you don't deserve. Someone you don't deserve. Congratulations on the new song, and we're gonna be rocketed on the country radio programs all over the world tonight. Ten stations on board. Thank you, ladies and gentlemen, for tuning in. We sure do appreciate it. This next artist is gonna be live with me in July. You might want to check him out as well in the meantime, but July 18th, we're gonna have a great radio interview with Ely Buck Davis. He is from Texas, and his single is called Grocery Bill, right here on the Tim Kelly Show from KICR, Indie Country Radio, New Country's Best, on a New Music Friday. Would you wanna split the grocery bill with me? Live in a tin can out in the hill country. I'll make the music, honey, if you will paint the scene. Oh, would you wanna split the grocery bill with me? I talked to God, and he said it'd be alright. Ain't livin' in sin when the cost of livin' is high. I'll pay the dues, I'll live on you until the sand in my hourglass is gone, and I'll lose grip of your hand. So would you wanna split the grocery bill with me? Live in a tin can out in the hill country. I'll make the music, honey, if you will paint the scene. Oh, would you wanna split the grocery bill with me? When you're not here, and I'm not over there, I'd say dream of the present, wonder the length that I could bear. We broke the rules, we made a fool out of ordinary life. I'll save the Sunday paper when it reads you are my wife. So would you wanna split the grocery bill with me? Live in a tin can out in the hill country. I'll make the music, honey, if you will paint the scene. Oh, would you wanna split the grocery bill with me? I hear a sound, it's ever more sweet. A child with my father's name runnin' in fifth speed. There'll be tests, we'll do our best, and everything in between. If you help me to assess the dare, I'll give you a place to lean. If you help me to assess the dare, I'll give you a place to lean. So would you wanna split the grocery bill with me? Live in a tin can out in the hill country. I'll make the music, honey, if you will paint the scene. Oh, would you wanna split the grocery bill with me? You're listening to New Music Friday on KICR Indie Country Radio. I'm not one to be starstruck if only I had such love. But if he ever walked through these doors, I'd have to make sure I fell into his arms. And I could fall right into George's arms. And always hope I'm a sucker for his charms. And humble for his smile, and simple say the same. Pick my heart, pick up the same. Or I could fall right into George's arms. Just one look and he'd steal my breath away. It's all the same. Send me into a daze. He'd dip his head and say how he may. And I could fall right into George's arms. And always hope I'm a sucker for his charms. And humble for his smile, and simple say the same. Pick my heart, pick up the same. Or I could fall right into George's arms. I can't tell you how many times I was the leading lady of your country. So dancing in a crowded room with his arms around me. Just to wake up in George's arms. What a lucky woman she must be. Don't know how to scream. Oh, what a dream. By golly, he's the only man for me. And I could fall right into George's arms. And always hope I'm a sucker for his charms. And humble for his smile, and simple say the same. Pick my heart, pick up the same. Or I could fall right into George's arms. Or I could fall right into George's arms. I'm doing great. I'm doing great. Good to have you on the program, man. We haven't talked in a while, and we actually got to meet you when you performed last time in Springfield, so that was a treat, too. I know. It was so fun to actually get to meet you in person, and your wife, and hang out a bit. We enjoyed the show you put on, too, at Southbound Bar and Grill, and you're going to be there in a little over a week, so that's good stuff. Yeah, June 30th. We'll be back in Springfield, so I cannot wait. Yeah, we'll definitely come over there and see you. It's going to be a fun night. We've known each other for a little bit, but for the folks that didn't hear our first radio interview, tell us a little bit about your story in country music. I know you've written a bunch of songs for famous artists, and we'll talk about that in a little bit, but how did you kind of get started? You know, I was raised on country music. My dad always had a plan in the house, and my grandparents were bluegrass musicians. I never got to meet them, but I played my grandpa's fiddle every single night on stage, so it's kind of in my blood. There was kind of no avoiding it, and I grew up loving it, and then started writing in high school and got real, real serious about it. I guess after college, I was like, you know, I've got to move to Nashville. That is the spot, and so I joined the Nashville Songwriters Association, the NSAI, and they started flying me up to Nashville to perform in some of their symposiums, and I went through their song camps. After that, I was like, well, you know, I've got to move there and give it a shot, and I have never looked back. Yeah, that is awesome. You just did CMA Fest a couple of weeks ago. That's a big deal in Nashville, I know. I've got a lot of friends that are members of that NSIA that you talked about, too, and great songwriters. They collaborate a lot with each other and listen to this program, so that's always cool. I love when that happens. Yeah, it's an organization that is all over the country and, frankly, the world, but it really is a great spot for local musicians and songwriters to gather, to meet co-writers, to learn. I can't say enough about NSAI. It's a great organization. Good stuff. You have written for the big names. George Strait, 60 Number One Hits, Lee Bryce, Rodney Atkins, Jana Kramer, Terry Clark, Lauren Alaina, a bunch of others. Specifically George Strait, I want to talk about for just a second, because when you were at Southbound, I remember one particular song that you wrote for him called Brothers of the Highway. About seven or eight years ago, a buddy of mine came out with his version of that song. His name is Tony Justice, and he did the duet with Aaron Tippin. You may have seen it. It's all over YouTube. I love Tony Justice, and yes, I'm very aware of that cut. That song, I wrote it for my dad, because my dad worked for Roadway Express for 32 years. Tony and Aaron did a version of it. Balsam Range did a version of it. Now, my own band, 615 Collective, has just recorded a version of it. It's actually at Country Radio as we speak. It's getting some momentum on secondary Country Radio right now. It's 615 Collective's version of Brothers of the Highway. That is awesome. Man, that's a great song. You did a killer job writing that one, and they've all done killer good performing it, too. Oh, yeah. Oh, my gosh. The king of country music. Yeah, and Tony and Aaron sound like brothers when they do it. Tony's such a great guy. Pretty cool. The great Lee Bryce. Ali Colleen and him just performed a duet together, and her and Sarah, his wife, wrote the song, but Lee Bryce got married here in Branson about seven years ago or something like that. Yeah, Lee has been a friend of mine. We started writing together when we were both over at Curve Records. He is kind of like one of my favorite songwriters and artists and humans, and his wife is awesome as well. Yeah, they got married at Top of the Rock there. Yeah, that is awesome. I love that place, boy. I love golf, and I love fishing, too. I'm in the right area, aren't I? Yeah, I would say. Yeah, and so we sure do love Branson. It's going to be a treat seeing you here in Springfield in the Branson area. You go to Branson, I think, the very next night after Southbound, so you'll be there. Tell us about that one, too. Yeah, so it's actually the night before, so it's Saturday, and this is going to be an interesting one because I'm performing a concert at the Sun Theater at 7, but I do a lot of mentoring, so I work with a lot of up-and-coming artists and songwriters, so I want to actually be facilitating a workshop, and that's at 3 o'clock that same afternoon on June 29th at the Meadows Theater. And it's all ages, whoever is interested in the area. I know there'll be some NSAI folks there, but it's going to be a two-hour workshop, and we're going to be talking about all things songwriting. That is going to be awesome. Man, you're doing a great service helping these young folks keep country music alive, bluegrass and traditional country music. It's all in there, and so that's an awesome thing. Thanks, and I really love bringing the next generation, bringing them into it, and hopefully I'm hoping to impact them, and I'm hoping to learn a bunch from them. I love writing with new writers and artists because they have such an approach to their writing and fresh ideas and all that, so I love it. That is awesome. Let me ask you this, too. You've got a brand new single coming out. It's not released yet, but I want to let you talk a little bit about that. I do. So this is a song, a special one to me. I wrote it with a guy, a Texas Troubadour, Walt Wilkins, and a guy here in Nashville that heads up Anthem Entertainment, Joe Goddard. It was in 2011, a bluegrass band, Balsam Range Cut It, and it eventually made it on the ballot for Song of the Year at the IBMAs that year, and it won. It's a song called Trains I Missed. I talk about it because I've missed so many trains in my life, things I thought I was destined to do and I was supposed to do. The man upstairs had some different ideas for me, and I am so glad that I missed those trains because it's a song about gratitude and about being in the spot you're supposed to be in. So that song, I cut my own version, and it's coming out next week. It's June 28th, and it's called Trains I Missed. I would love for everybody to take a peek at it. It's a special song. Well, as soon as it's released, we'll be playing it on the radio. You just send it to me, and we'll get it right on the air. We'll put it on Triple Play Thursday and New Music Friday. How about that? I'm thrilled, Tim. Thank you so much. Absolutely. Speaking of trains, there is a cool train track down in front of the Branson Landing. It's called the Branson Scenic Railway, and for my 50th birthday, I got a surprise ticket to that train, and it's a dinner and a train ride. We got a four-course dinner, including prime rib, the whole thing. And that train takes you down into Arkansas, and then it just goes in reverse and comes back. So you don't have to turn around or nothing. Boy, that was a really neat thing, the Branson Scenic Railway. That's a train I wouldn't want to miss either. That's awesome. I would love to do that. Yeah, if you never have done it, it is a fun little ride. It takes about two and a half hours, too. It's quite a deal. Well, that's cool. And there's so much, you know that, to do here in Branson. Away from music, there's fishing and all kinds of shows to go to. We're the live show capital of the world, and folks come here from all over the world to see these live shows and be entertained. I love the Ozarks. Springfield is my home, and there is so much fantastic music there. And frankly, my teachers in high school and junior high even, they impacted my musical journey so much. I cannot even tell you how important this area has been to my whole musical journey. Absolutely. You know, there's so much talent out there, and I feel like I just scratched the surface of it, too, doing this three-hour show a couple of times a week. And then we've got all these talent show competitions, you know, American Idol, The Voice, America's Got Talent. And there's a lot of great local talent, though, isn't there, here in Springfield? You're one of those. We've got Danny Terrell, we've got Chelsea James I've met, and just Jake Springer, just so many. So many. So many. So it is definitely out there, and the love for country music is stronger than it ever has been, I think. I agree. I agree. It's all over the world. And the women of country are just killing it right now, you included. Killing it. Just really exciting to see all that. It was very apparent at CMA Fest. Now, when you came last year to Southbound Bar and Grill, and you're going to do it again, you're bringing your daughter. Boy, she's talented as well. She got that from you, I guarantee you. Well, thank you. She's been doing it. She went to a college and studied musical theater and all that, but the past year or two has gotten on this country bandwagon. And she just released her first single a few weeks ago called Tequila and You, and played at CMA Fest. And she's going to be with me Friday night in Houston, Missouri, Saturday night in Branson, and Sunday in Springfield. Man, that would be quite a triple play, do a mom and daughter thing. I'd love to do that. I'd love to have her radio singles. We'll definitely play them too. Well, that's awesome. I'll have her send them your way. You got it. Now, you know I'm a great fan of a ballad in country music, so this first song we're going to play, I saw the video to it, and so we have this TV channel called Indie Country Television. I added it to the TV channel as well, so it's playing 24-7 when we're not on the radio. Folks can check out that video. But it's called If It Ain't With You. Tell us about this one. You know, this is a love song, and I've had several people play it at their weddings. It's like their first dance at their weddings and that sort of thing. Yeah, I mean, it's just about finding the one, you know. So yeah, thank you so much for playing it. Absolutely. You know, we had an artist, his name's Jonathan Lynn. One of his original songs was played at our wedding. Me and my wife in October will be celebrating our third wedding anniversary, and we got married in Kimberling City overlooking the Kimberling City Bridge that goes over to Lampy on the other side. And so that was a great venue that we had, and we had a bunch of smoked barbecue for the wedding. It was actually a barbecue restaurant that had this big, nice patio. And we had lunch there one day, and we said, man, this would be a cool venue for a wedding, and so they let us have the patio. But yeah, you never forget the songs that are played at your wedding, do you? So if you make one of those, that's going to get spun quite a bit. Well, I just, it's something that, you know, it's very personal, obviously, and it's become a love song for some other folks, so I love that. That is awesome. I love it, too, and the folks are going to love it after we play it here in just a second. Her name is Nicole Witt. We'll come back and talk with her some more on the Tim Kelly Show from KICR Indie Country Radio. Let's play If It Ain't With You on this New Music Friday. If It Ain't With You Oh, the beautiful that I see You're my everything, honestly And I don't want to dance if it ain't with you I don't want to sigh if this thing ain't true I don't want to run in this world alone without you here I don't want to waste one single breath I don't want to look back and have regrets I don't want to love with all my heart if it ain't with you If It Ain't With You Look into my eyes, tell me what you see If I'm the one, make me believe Don't be afraid to show me all of you Come on and bare your soul Promise you that I won't let go Right now there's only one thing that I know I don't want to dance if it ain't with you I don't want to sigh if this thing ain't true I don't want to run in this world alone without you here I don't want to waste one single breath I don't want to look back and have regrets I don't want to love with all my heart if it ain't with you I don't want to dance if it ain't with you I don't want to sigh if this thing ain't true I don't want to run in this world alone without you here I don't want to waste one single breath I don't want to look back and have regrets I don't want to love with all my heart if it ain't with you I don't want to dance if it ain't with you And I don't want to sigh if it ain't with you K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio 615 Collective K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio K-I-C-R Indie Country Radio Grease Mama Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Nicole Witt Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me R.E.D.D. Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me Make Her Love Me R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. R.E.D.D. Mama was a drummer in my first country band. Daddy was a cowboy and I used to lend a hand. He taught me how to gamble, how to ride and break a horse. He taught me patience through divorce. And I was only twelve years old when I taught myself guitar. I sat up every night as we played our first bar. And Mama sang and played those drums and that became my life. On stage we were hell on wheels all night. Mama take me back to the times we had back then. Mama take me back so I can live all that again. Oh Mama, Mama take me back to those hills I used to ride. Mama take me back to those Texas pines. One day I looked up and she was eighty-five. But she still loved music. Hell, that's how we survived. And Daddy comes to visit. Now he's a little slower than he used to be. But I still play music, cause that's my Mama's love. Mama take me back to the times we had back then. Mama take me back so I can live all that again. Oh Mama, Mama take me back to those hills I used to ride. Mama take me back to those Texas pines. Oh Mama, you used to love those Texas pines. We talked about it all the time. I remember that first spring night I sat by Mama's side. She reached up and touched my face. Her eyes wide with cry. Please sing that song. The one you wrote for me. Guitar in hand, I stood up close to sing. But she could see. Mama take me back. Mama take me back to the times we had back then. Mama take me back so I can live all that again. Oh Mama, Mama take me back to those hills I used to ride. Mama take me back to those Texas pines. Mama take me back to those Texas pines. I love you Mama. Mama take me back to those Texas pines. Well, if you haven't guessed, she's from Texas. That's right. Her name is Terri Knight. It is T-E-R-R-I on Terri. Terri Knight, and she is from Texas, that's for sure. She does a great radio show, too, out of Colorado City, Texas. She is on 107.1 Wolf Country. So that is awesome, and she's going to be my special guest on July 11th as well. After the Wade Jennings interview at 7.30, Terri Knight will join me at 8.30 p.m. Central Time. And you can check out that schedule once again on KICRindyCountryRadio.com. Got lots of great radio interviews coming up, and I'm excited about them. And, of course, if you miss them, they go into the Tim Kelly Show interview archives, also on our website as well. This next artist was on season number 20 of American Idol. His name is Dan Marshall. This is called Heaven's Honky Tonk on the Tim Kelly Show from KICRindyCountryRadio. New country's best on this New Music Friday. ["Heaven's Honky Tonk"] There's a place up above Ask the big white clouds in the footprints on the moon It's filled with the truth It's got Gibson guitars and no broken hearts I just wish it wasn't so far Cause right now George Jones, Johnny Cash, and Chris LeDoux Sitting out there talking in a corner booth I could play Mama Trout on an old barn stove Bartenders turning water into whiskey Everyone I love sipping cold beers with me I can see it now The whole crowd singing along It's Heaven's Honky Tonk Every time I hear thunder it makes me wonder If the bass drum is kicking a working man's glutes Or the sound of the hardwoods meeting granddaddy's boots As he's spinning grandma around on the floor That's the dance he's waiting so long for Right now George Jones, Johnny Cash, and Chris LeDoux Sitting out there talking in a corner booth I could play Mama Trout on an old barn stove Bartenders turning water into whiskey Everyone I love sipping cold beers with me I can see it now The whole crowd singing along It's Heaven's Honky Tonk It's Heaven's Honky Tonk When our wells run dry and our hearts beat through fountains Best believe we'll be sitting next to George Jones, Johnny Cash, and Chris LeDoux Sitting out there talking in a corner booth Hagrid's playing Mama Trout on an old barn stove The bartenders turning water into whiskey Everyone I love sipping cold beers with me I can see it now The whole crowd singing along Oh, I can see it now The whole crowd singing along It's Heaven's Honky Tonk It's Heaven's Honky Tonk It's always a party Your country party is here all summer It's summertime Crank up the A.C. Cause things are heating up No seriously, turn up the A.C. or this shirt's coming off You don't want to see this dad bod Turning up the summer country right now Every single summer I wonder if you think about me Your summertime station is Indy Country Radio New Country Fest Indy Country Fest Indy Country Fest Indy Country Fest Indy Country Fest Indy Country Fest She was a hopeful soul Holding on to nothing Believing in her summer worth of power and gold Watching that horizon break And she'll find a minute trail of smoke But she won't It's cold like a summer wind Take this wind Jumping in the period Into the sun You're the strongest, you're the only Cause Alaska's the only Alaska's the only one And it's gonna break her heart And never have to end That's the job of a dad bod And a cowboy It's always been that way The power of his kids to keep her Wasn't him wrong after the break He's so happy and he's always pretending He'll stay one day But he won't stay It's cold like a summer wind Take this wind Jumping in the period Into the sun You're the strongest, you're the only Cause Alaska's the only Alaska's the only one And it's gonna break her heart And never have to end That's the job of a dad bod And a cowboy Where he belongs And I can't fall It's cold like a summer wind Take this wind Jumping in the period Into the sun You're the strongest, you're the only Cause Alaska's the only Alaska's the only one And it's gonna break her heart And never have to end That's the job of a dad bod And a cowboy Where he belongs Sad song And I can't fall She is an alumni artist of season number six of NBC's The Voice team. Blake and my good friend Audra McLaughlin we got to meet last September the 30th when I hosted Freedom Jam USA and welcomed her to the stage and she puts on a great live performance ladies and gentlemen and I had her live on my show last month on May the 24th that is in the Tim Kelly Show interview archives too if you missed that one so go check out her interview it was fantastic and check out more of her music Audra McLaughlin this next artist wrote Wild Horses for Garth Brooks' No Fences album back in the 90's and he's got great music of his own his name is David Wills his latest single is called When a Plan Comes Together on the Tim Kelly Show from KICR, Indy Country Radio New Country's Best on this New Music Friday That's right Look at that smile on her face tonight I held her back but just close enough I think she's fallen in love Don't you love when a plan comes together When the pieces all fall into place When you're so close your heart knows you're standing on the edge of forever She swore she'd never fall again Oh but I knew better Don't you love when a plan comes together The blackest stars and soft music on Even the moonlight was playing along Her little heart never had any space I held her better tonight Don't you love when a plan comes together When the pieces all fall into place When you're so close your heart knows you're standing on the edge of forever She swore she'd never fall again Oh but I knew better Don't you love when a plan comes together Don't you love when a plan comes together Don't you love when a plan comes together When the pieces all fall into place When you're so close your heart knows you're standing on the edge of forever She swore she'd never fall again Oh but I knew better Don't you love when a plan comes together Don't you love when a plan comes together When you're so close your heart knows you're standing on the edge of forever She swore she'd never fall again Don't you love when a plan comes together When you're so close your heart knows you're standing on the edge of forever She swore she'd never fall again Don't you love when a plan comes together When you're so close your heart knows you're standing on the edge of forever She swore she'd never fall again Don't you love when a plan comes together When you're so close your heart knows you're standing on the edge of forever This is called Good Book Bad on the Tim Kelly Show from KICR Indie Country Radio New Country's Best on New Music Friday He was seventeen Quarterback on the home team On the back road and in between His fifth and sixth bed Then he saw those blue lights And couldn't walk that street line His daddy cussed and mama cried When they built him out of there He got in a truck They said you got what you deserve Brought him a button up And drug his butt to church Said boy you need a good book bad All you're running around Got a sore down liver You're living just a little too fast You gotta meet the man Somewhere in the middle Sometimes you gotta take a step back Look at you and ask Who you are down in your heart You ain't that far off track It ain't that hard to get back You just need the good book bad He was twenty-eight They thought they were gone away About a week from the due date He'll never forget When she woke him up In the bed of the night Said grab the bag I think it's time When the rest of his life got there He looked at the man in the mirror Said boy you need the good book bad All you're running around Got a sore down liver You're living just a little too fast You gotta meet the man Somewhere in the middle Sometimes you gotta take a step back Look at you and ask Who you are down in your heart You ain't that far off track It ain't that hard to get back You just need the good book bad You just need the good book bad Life don't stop And no one's perfect The straight and narrow Throws you curved in If you're anything like me Sometimes all you need Is the good book bad When all you're running around Got a sore down liver You're living just a little too fast You gotta meet the man Somewhere in the middle Sometimes you gotta take a step back Look at you and ask Who you are down in your heart You ain't that far off track It ain't that hard to get back You just need the good book bad We all need the good book bad New country sounds like this We're in a party While I'm one step away Two steps in a way With your heart And this This old shirt is getting warm The knees of these jeans are torn This old bag don't work The way it should And this Holdin' a beer on a Friday night Holdin' a match when I need a light Holdin' the door Loud because I have all I need And the crowd is a lot of fun You're listening to the band And this is country music on J-I-C-O In the new country radio This town is blowin' down The sun is fallin' asleep The full moon is hidin' out Behind those libel trees Come on, let's take a drive We got nothin' to do Babe, go grab the key I'll put it in your pocket And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go And we'll go We got the world right now We ain't got the time And even though it's running out Forever you'll be mine Yeah I wanna take a long ride Back where in the moonlight Staring to those deep brown eyes It's just too late Baby move a little closer I lay my head upon your shoulder I'm only getting older Let's not wait I wanna take a long ride I wanna take a long ride Back where in the moonlight Staring to those deep brown eyes It's just too late I wanna take a long ride Back where in the moonlight Staring to those deep brown eyes It's just too late I wanna take a long ride Back where in the moonlight Staring to those deep brown eyes It's just too late I wanna take a long ride Back where in the moonlight I wanna take a long ride Back where in the moonlight Staring to those deep brown eyes It's just too late I wanna take a long ride Back where in the moonlight Staring to those deep brown eyes It's just too late I wanna take a long ride Back where in the moonlight Staring to those deep brown eyes It's just too late I wanna take a long ride Back where in the moonlight Let's not wait I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I wanna take a long ride I can put you on the riverbank While you're fighting trash I'm a song I'll see you on the radio Turn me on And turn it up I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I can make you mine I'll see you on the radio I'm young I'm old I'm country I'm rock and roll But turn me on And turn it up And turn it up Let me make you smile Make you cry Turn back the pages Of your life But turn me on I'll see you on the radio I'll see you on the radio I'll see you on the radio